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─Yasmine Farhang, Colorlines͌
─Pamela Miller, The Minneapolis Star-Tribune
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In his subjects, Bayoumi sees dark reflections of culture and politics, and he offers the dignity of their stories as antidotes to the rising tide of prejudice. Unlike profiles, which are by definition incomplete and caricatured, “stories,” Bayoumi writes, “have the capacity to convert a line drawing into flesh, to dislodge the power of the presumption and prejudice.” And this is Bayoumi’s task in How Does it Feel—to turn the line drawing of the American Arab into a person, and to have the reader recognize him as real, and worthy of the respect and equality promised in the American dream. In undertaking this mission, Bayoumi raises Du Bois’ unasked question and answers it, using the medium of the story to evoke the true power of the question.
─Jessica Loudis, The Brooklyn Rail͌
─Ali Moossavi, The Arab American News
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─James Hannaham, salon.com Critics' Picks
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─Francine Prose, O, The Oprah Magazine
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─Bushra Burney, Media and Islam
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─M. Junaid Levesque-Alam, wiretapmag.org